Associate Professor & Program Director, Woodwinds
Margaret Donaghue Flavin (clarinet) is associate professor of instrumental performance and program director of Woodwinds at the University of Miami Frost School of Music. She has performed in some of the worlds’ major concert halls, including Carnegie Hall, the Concertgebouw, the Zurich Tonhalle, La Scala, and for the Maggio Musicale in Florence. She has performed at international conferences in Oslo, Norway, Manchester, England, Chicago, and New Orleans, among others. Chamber music recitals include Honolulu, Grand Cayman, London and Paris, as well other venues across Europe and Japan. Dr. Donaghue has appeared as soloist with the Shanghai Broadcast Symphony and the Shen Zhen Symphony, Shen Zhen, China, as well as the Russe State Philharmonic, Russe, Bulgaria. Dr. Donaghue gives master classes and recitals across the United States and performs with her trio, Miami Chamber Ensemble and newly formed ensemble, MiamiClarinet. She performed the sextet L’Heure du Berger, in London and Paris with composer Jean Françaix at the piano. Dr. Donaghue has recently served a three-year term as a member of the Fulbright National Screening Committee, and appears frequently as clinician and adjudicator. She can be heard often on public radio across the country. She received the Doctor or Musical Arts degree from the University of Illinois, the Master of Music degree from the University of Michigan, and holds a Bachelor of Music degree from the University of New Hampshire. Prior to coming to Miami Dr. Donaghue served on the faculties of Central Michigan University and the University of Connecticut. She can be heard on Centaur, Albany, and Altarus labels.
Associate Professor, Flute
Trudy Kane, associate professor of Flute, joined the faculty of the University of Miami Frost School of Music in 2008 after 32 seasons as principal flutist of the Metropolitan Opera. She received both a BM and MM from the Juilliard School of Music. Upon graduation she freelanced and spent two years as a regular extra with the New York Philharmonic. Ms. Kane is active in the commercial recording field and can be heard on the soundtracks of many film scores (trudykane.com). She can be heard and seen on many Met videos including Il Trittico, Manon Lescaut, Peter Grimes and three different La Bohemes. Trudy Kane has given master classes at noted universities including Manhattan and Mannes Schools of Music, Penn State, and University of North Texas. Her CD, In the French Style, includes works by Fauré, Frank, and Gieseking. A number of her transcriptions for Flute Quartet have been published, plus her transcription of the Fauré Sonata and cadenzas for Mozart’s Concerto in D Major. She has been privileged to work with many great conductors, including Carlos Kleiber, Karl Bőhm, Erich Leinsdorf, James Levine, Pierre Boulez, and Valery Gergiev and great singers such as Leontyne Price, Placido Domingo, Luciano Pavarotti, Renee Fleming, and Joan Sutherland.
Luciano Magnanini (bassoon) began his musical studies in Italy at the Conservatory Nicolo Paganini in Genoa and continued his musical training in the city of Milan. Mr. Magnanini's recordings include: Twentieth-Century Music for Bassoon and Piano, Poulenc, Saint-Saens, Elliot and A Tour d’Anches. French Music for Winds, Altarus Records, Inc., and Gordon Jacob. Concerto for Bassoon, Albany Records. He has also recorded for RCA, CBS and Harmonia Mundi. Mr. Magnanini has been principal bassoonist with the Orchestra Comunale della Opera in Genoa, Mexico City Philharmonic, Miami Philharmonic, World Symphony Orchestra, Festival Casals Orchestra and Eastern Music Festival Orchestra in North Carolina; and has played under the baton of renowned conductors such as Leonard Bernstein, Zubin Meta, Carlo Maria Giuliani, Alain Lombard, Eduardo Mata and James Conlon. Mr. Magnanini has an active performing career playing solo concerts and chamber music in the United States, South America, China, and Europe. He is Professor of Bassoon at the University of Miami Frost School of Music.
Dale Underwood (saxophone) is a lecturer in the Department of Instrumental Performance at the University of Miami Frost School of Music. Acclaimed by the Washington Post as "the Heifetz of the alto saxophone," Dale Underwood is internationally recognized as one of the today's foremost classical saxophonists. Mr. Underwood has toured extensively throughout the world as a featured soloist, performing in every state in the continental United States and Alaska, as well as in England, Germany, Belgium, Holland, Sweden, Italy, Cuba, Brazil, Mexico and Canada. A frequent guest soloist with leading orchestras, Dale Underwood has performed with the Boston Pops Orchestra, the National Symphony Orchestra, Australian Wind Orchestra and the National Conservatory Orchestra in Sao Paolo, Brazil, among others. In 1993, Mr. Underwood made his Carnegie Hall debut in a program featuring Claude T. Smith's Fantasy (written especially for Mr. Underwood), and A Gershwin Fantasy.
Robert Weiner (oboe) is a lecturer in the Department of Instrumental Performance at the University of Miami Frost School of Music, and is principal oboist with the Florida Grand Opera. He has also served as principal oboist with the Miami Symphony Orchestra, Mexico City Philharmonic, Miami City Ballet Orchestra, Oklahoma Symphony Orchestra, and others, and has been guest principal oboist with the St. Louis Symphony Orchestra and the Florida Philharmonic. Robert Weiner was also director and oboist of the Oklahoma City Chamber Players and has performed with New York City area orchestras, including the American Symphony Orchestra, New York City Ballet and Long Island Philharmonic. Weiner has recorded on major labels and is active in the recording studios of Miami. He previously taught oboe at Conjunto Cultural Ollin Yoliztli in Mexico, Oklahoma City University, University of Oklahoma, and Cornell University. Acknowledged for his work on gouging machines and reed-making, he is in demand by professionals for advice and work in those areas. He has a B.M. degree from Eastman School of Music, and a M.M. degree from State University of New York at Stony Brook. He studied oboe with Robert Sprenkle, Ronald Roseman, Harold Gomberg, John Mack, and Joseph Robinson.