Associate Professor and Program Director, Music Engineering Technology
Colby Leider is associate professor and program director of the Music Engineering Technology Program (MuE), in the Department of Music Business & Entertainment Industries at the University of Miami Frost School of Music. He is associate editor of Computer Music Journal and works as a consultant in patent-infringement cases involving audio and new media technologies. He holds degrees from Princeton, Dartmouth, and the University of Texas. His research interests include digital audio signal processing, sound synthesis and spatialization, tuning systems, and alternate controllers for music-making, and he has received grants from the National Science Foundation, the NVIDIA Corporation, and the University of Miami. Leider also chaired the 30th Annual International Computer Music Conference. He composes music, builds musical instruments and teaches courses in music technology. He is president-founder of everglade records, a non-profit record label devoted to experimental music and acoustic documentary, and has received prizes and honors from the American Composers Forum, the Institut International de Musique Electroacoustique de Bourges, Princeton University, and the International Computer Music Association. He has composed music for Nash Ensemble of London, Paul Hillier and the Theatre of Voices, New Jersey Symphony Orchestra, Bertram Turetzky, Gregory Beyer and William Schimmel. His book Digital Audio Workstation was published by McGraw-Hill.
Lecturer, Music Engineering Technology
Joe Abbati is a lecturer in the Department of Music Engineering Technology at the University of Miami Frost School of Music where he also teaches in the Bruce Hornsby Creative American Music program. He is an artist/engineer with extensive experience in audio production, media technologies and interactivity. An alumnus of the Music Engineering program, Joe worked full-time as audio programmer, sound designer and composer before returning to join the faculty. Abbati has particular expertise in the development of video games. He is an expert in sound design, multimedia audio, entertainment software, MIDI sequencing and synthesis. Since leaving the full-time software industry, he has continued consulting on dozens of published game titles for the likes of THQ, Mattel, Activision and GameMill. Recently acquiring an MFA in Sculpture, Joe is currently creating interactive installations that explore the relationship between object, motion, light and sound.
Research Assistant Professor
Christopher L. Bennett is a research assistant professor in the Music Engineering Technology program at the University of Miami Frost School of Music. Currently, he teaches classes in Psychoacoustics, and is working with faculty and students on a new inter-disciplinary research project in collaboration with the UM Department of Physical Therapy, investigating the impact of auditory biofeedback on rehabilitation. He has most recently completed postdoctoral research at the UM Miller School of Medicine investigating audible medical alarms utilizing psychoacoustics and human factors in simulated clinical settings to improve patient outcomes. During his post-doc, he was also a lecturer on Bio-signal Processing, covering the discrete-time processing of physiologically related signals. An entrepreneur, he is a founding partner of Oygo Sound LLC, an audio development and consulting company with prominent clients in both music and medical fields. He is a member of the American Association for the Advancement of Science, Audio Engineering Society, IEEE and other notable associations and is published in such journals as the J. Acoustical Society of America, Anesthesia & Analgesia, and the J. Audio Engineering Society. Before his professional appointments he earned a Ph.D. in Biomedical Engineering, with a concentration in hearing science, a M.S. in Music Engineering Technology, and a B.S.E.E. in Audio Engineering.
Assistant Professor, Music Engineering Technology
Bill Pirkle is an assistant professor of music engineering technology at the University of Miami Frost School of Music. He was previously a senior digital audio consultant for Tritone Systems, Inc., XM Satellite Radio division, providing architecture and algorithm design for dynamic processors, mixed signal hardware design, product audio specification limits, software for automated analog and digital testing, headphone power analysis and frequency response, loudspeaker enclosure design and testing, and software test engineering for a patented asynchronous digital audio transmission link with automatic sample rate conversion. He has also consulted with other leading firms including Diamond Multimedia, Zarg Software Synthesizers, Gibson Musical Instruments, Korg Research and Development, K & S Associates, M-Audio, Stick Enterprises, EX2 Mobile Audio, and As Is Entertainment. As a composer, Prikle has written the soundtracks for SpongeBob Square Pants and Square Pants II; Jimmy Neutron computer games; SpeigelMeyer, as well as several independent films. A guitarist, Pirkle earned a Bachelor of Arts in Chemistry, a Bachelor of Music in Music Engineering Technology, and a Master of Science in Electrical Engineering.
Lecturer, Music Engineering Technology
Dana Salminen is a lecturer for the Music Engineering Technology Program (MuE) at the University of Miami Frost School of Music.