Professor, Cello; Program Director, Strings; Chair, Department of Instrumental Performance
Ross Harbaugh (violoncello) is professor of instrumental performance and chair of the Department of Instrumental Performance at the University of Miami Frost School of Music, where, in addition to teaching cello, he is the faculty mentor for the undergraduate Stamps String Quartet and works with graduate string quartets. Ross Harbaugh is cellist of the well-known American Bergonzi String Quartet. His distinguished teachers include Janos Starker, Leonard Rose, and Peter Howard in the United States and Andre Navarra at the Paris Conservatory, and chamber music study with the Juilliard Quartet. As a founding member of the New World Quartet he won the Naumburg Prize, a Prix du Disque, and recorded 14 records and CDs for Vox, MCI Classic and IMP Masters, CRI, Centaur, Fleur de Son, and Musical Heritage labels. Performing throughout Europe and the United States, he has appeared in concerts at the Kennedy Center, Alice Tully Hall, and Wigmore Hall in London, and has concertized with such artists as Leonard Rose, Bill Preucil, Richard Goode, Jeffrey Kahane, Raphael Hillyer, Joel Krosnick, Jerome Rose, Gil Kalish, and the Guarneri Quartet. Mr. Harbaugh served as a judge for the Fischoff Chamber Music Competition and the Stulberg Competition, and the Fulbright Competition for Graduate Music Study Abroad.
Associate Professor, Trumpet
Craig Morris is associate professor of trumpet at the University of Miami Frost School of Music where he devotes himself to his teaching and his career as a soloist and chamber musician. Morris emerged onto the international orchestra scene by winning the prestigious position of principal trumpet in the Chicago Symphony Orchestra, assuming that post from the legendary Adolph “Bud” Herseth. Morris was previously the associate principal trumpet of the San Francisco Symphony under the baton of Michael Tilson Thomas. He recorded extensively as principal trumpet with both orchestras, including the Grammy nominated recording of Furtwangler’s Symphony No. 2 with the CSO and Daniel Barenboim. In 2003 Morris left his position in the CSO to pursue a burgeoning solo career. With the Chicago Symphony he was featured as soloist on Bach’s Brandenburg Concerto No. 2 and Stravinsky’s L’Histoire du Soldat with Pinchas Zukerman in Chicago’s Orchestra Hall. In 2009, Craig Morris gave the U.S. premiere of Desolation Wilderness, a trumpet concerto by British composer Joby Talbot, at the Cabrillo Festival for Contemporary Music under the baton of Marin Alsop. His debut solo CD Permit Me Voyage features the music of Debussy, Schumann, Brahms and Barber, following the acclaimed Naxos release, Reflections, where Morris was soloist on Thomas Sleeper’s Concerto for Trumpet. A Texas native, Morris grew up in a musical family. He attended the University of Texas and the San Francisco Conservatory of Music.
Associate Professor, French Horn
Richard Todd is associate professor, French horn at the University of Miami Frost School of Music. From Carnegie Hall to the Hollywood Bowl, Richard Todd has earned international acclaim as one of the finest horn soloists today. Gold medal winner of the 1980 Concours Internationale Toulon, he is a Pro Musicis International Foundation Award winner and is continually expanding the boundaries of the horn world. Renowned for his performances that “are simply startling in their dexterity” with “a heart-clutching sound” he breaks down the barriers of music, being equally at home in all areas including classical and jazz. Now residing in Miami, he maintains a rigorous coast-to-coast concert schedule including performances as principal horn with the Los Angeles Chamber Orchestra. Todd has recorded on over 1,000 motion picture soundtracks, appeared and recorded with such great performers as Sinatra, Streisand, and Madonna, and as a jazz artist with Clark Terry, Ray Brown and Woody Herman. He recorded two CD’s with Andre Previn, one jazz: What Headphones, the other classical: French Chamber Music and was personally selected by Gunther Schuller to record his Concerto No.1. He has also recorded solo albums. Previously on the faculty at USC Thornton School of Music, and the Henry Mancini Institute, Richard Todd is in constant demand as a lecturer, clinician and festival artist, and is a consultant for Hans Hoyer Horns, where he assists in the development of horn and mouthpiece designs.
Timothy Conner (trombone) is a lecturer in the Department of Instrumental Performance at the University of Miami Frost School of Music. Tim Conner held the position of principal trombone with the Florida Philharmonic Orchestra for 18 years. During his orchestral career he performed with the Spoleto, Chautauqua, Heidelberg, and Bedford Springs Festival orchestras, the National Symphony, Naples Philharmonic, and Tonhalle Orchestra Zurich. He was featured several times as a concerto soloist with the Florida Philharmonic, and has performed as a soloist in Milwaukee, Washington, D.C., Rochester, Pittsburgh, Santa Fe, New York City, and in countless venues in the South Florida area. He studied with Milt Stevens of the National Symphony Orchestra and received his formal musical education at the Eastman School of Music with John Marcellus. He joined the faculty of the University of Miami in 1995. In addition to teaching individual studio lessons, he conducts the Frost Trombone Choir, coaches chamber music, and teaches courses in trombone pedagogy and literature. He maintains a busy professional performing schedule and is a member of the South Florida Musician’s Association, the International Trombone Association, and Phi Mu Alpha Sinfonia.
Associate Professor, Experiential Music Curriculum
John Olah (tuba, euphonium) is associate professor in the Department of Instrumental Performance at the University of Miami Frost School of Music and teaches classes in the Experiential Music Curriculum. He received a B.M. degree from the Baldwin Wallace College Conservatory, an M.M. degree from the University of New Mexico, and has pursued advanced studies at the Cleveland Institute of Music. A student of Ronald Bishop, Olah has performed with the New Mexico Symphony Orchestra, the Cleveland Ballet Orchestra, the Ohio Chamber Orchestra, the Santa Fe Chamber Orchestra, the New Mexico Brass Quintet, the Cleveland Brass Quintet, the Cleveland Brass Consort, American Ballet Theater, Bolshoi Ballet, and the Blossom Festival Band. He has recorded with the Cleveland Orchestra and the Cleveland Symphonic Winds. In addition he has performed with such notable artists as Luciano Pavarotti, Joan Sutherland, Placido Domingo, Jose Carreras, James Gallway, Lena Horne, James Taylor and Mel Torme.
Renowned tuba artist Sam Pilafian, B.M. ’72, joined the Frost School of Music faculty at the start of the 2012-2013 academic year. Currently involved in the development of new academic-business partnerships, he previously taught private lessons and served as a faculty mentor to the Stamps Brass Quintet. Pilafian was named Distinguished Alumnus of the University of Miami Frost School of Music in 1996 and is perhaps best known as a founding member of the internationally renowned Empire Brass Quintet. Versatile in both classical and jazz realms, Pilafian has recorded and performed with the Boston Symphony Orchestra, the New York Philharmonic Orchestra, the Duke Ellington Orchestra, Lionel Hampton, and Pink Floyd. As a solo jazz artist, Pilafian has recorded fifteen CDs. He was also a member of the large brass ensemble Summit Brass. He is an arranger, composer and recording producer and is the coauthor of the best selling pedagogy texts “Breathing Gym” and “Brass Gym.” Sam Pilafian was formerly professor of music in the ASU Herberger College School of Music, having previously served for 20 years on the faculties of Boston University and their summer Tanglewood Institute. As a past president and chairman of the board of the International Tuba Euphonium Association, Pilafian now serves on its board of directors.
Assistant Professor of Tuba and Euphonium
Aaron Tindall is assistant professor of tuba and euphonium at the University of Miami Frost School of Music. His solo playing is described as “remarkable for both its solid power and its delicacy,” his orchestral playing praised as “a rock-solid foundation.” With his soothing tone and excellent control of flexibility and articulation, he is a prizewinner of many international solo and chamber music competitions and was a two-time finalist in the prestigious Concert Artist Guild Competition. Tindall studied under Velvet Brown, Mel Culbertson, Warren Deck, Mike Dunn, Steven Mead, and Daniel Perantoni. He holds a Doctor of Musical Arts degree in Tuba Performance and Pedagogy from the University of Colorado at Boulder, a Master’s of Music degree in Euphonium Performance with Distinction from the Royal Northern College of Music in Manchester (England), and a Bachelor of Music Performance degree on both the Euphonium and Tuba from Pennsylvania State University. Dr. Tindall collaborates with prestigious orchestras worldwide and appears as a solo artist throughout the United States, Europe, and Asia. His two solo albums were released to critical acclaim: Songs of Ascent and This is My House. He can be heard on other recordings such as Simply Velvet and the Eufonix quartet albums End Game, Brink, and Nuclear Breakfast. Dr. Tindall served previously on the faculty of Ithaca College - School of Music, and Eastern Michigan University, and was also a visiting professor at Penn State University and a visiting tutor for tuba and euphonium at the Conservatoire National de Region in Perpignan, France. Aaron Tindall is a Denis Wick-London artist and design specialist and a Buffet Group tuba/euphonium artist and clinician.
Professor of Music, Director of Orchestral Activities
Thomas Sleeper is professor of music and director of orchestral activities at the University of Miami Frost School of Music. He is the conductor of the Frost Symphony Orchestra and also teaches instrumental conducting. Maestro Sleeper began his professional career as a member of Fermata, a group of composer-performers who presented an annual series of concerts throughout Texas. At age 22, he was appointed Associate Conductor of the Dallas Civic Symphony and the Southern Methodist University Chamber Orchestra and Opera Theatre. Today Thomas Sleeper resides in Miami, Florida, where he enjoys a busy dual career as a composer. He is the conductor of the Frost Symphony Orchestra and Opera Theater, and Music Director for the Florida Youth Orchestra. A strong advocate for new music, Sleeper has conducted the premieres of numerous works by American composers, including Henry Brant, Carlos Surinach, Robert Xavier Rodriguez, and Roberto Sierra. Thomas Sleeper’s original compositions have been performed worldwide by orchestras such as the Baltimore Symphony, Russian National Orchestra and the Shanghai Philharmonic. His Symphony No. 4 and 5 were recently premiered here in the United States.
Professor of Music, Director of Wind Ensemble Activities
Robert M. Carnochan (Car-na-han) is director of wind ensemble activities, conductor of the Frost Wind Ensemble, and professor of music at the University of Miami Frost School of Music. Carnochan holds degrees from Towson University (B.S. Music Education), the University of Colorado at Boulder (M.M. conducting) and The University of Texas at Austin (D.M.A. conducting). A Maryland native, Carnochan’s career began as director of bands at Dundalk High School and has since held appointments at Stephen F. Austin State University, Northeastern Oklahoma State University, the University of Colorado at Boulder, and, most recently, The University of Texas at Austin. Throughout his career, Dr. Carnochan has collaborated with and received praise from a number of leading composers including; Steven Bryant, John Corigliano, Michael Daugherty, Donald Grantham, Daniel Kellogg, David T. Little, John Mackey, David Maslanka, James Mobberly, Carter Pann, Joel Puckett, Kevin Puts, Gunther Schuller, Frank Ticheli, and Dan Welcher. He also invests much time commissioning and performing works of the next generation of talented composers such David Biedenbender, Viet Cuong, Paul Dooley, Ian Dicke, Aaron Perrine, and Zack Stanton. Dr. Carnochan is active as a guest conductor, clinician, and adjudicator throughout the United States, and has conducted concerts in London, Spain, Austria, Luxembourg, Switzerland and Singapore. His recording of Donald Grantham’s Tuba Concerto, with soloist Charles Villarrubia, was recently released and is available for download from iTunes.
Professor of Music, Director of Athletic Bands
Jay C. Rees is professor of music and director of athletic bands at the University of Miami Frost School of Music. His responsibilities include leading the Frost Band of the Hour, the marching and pep bands of the University of Miami, at UM sporting events such as nationally televised Miami Hurricanes football and basketball games, and expanding the band’s reach and reputation throughout the region. He also conducts the Frost Symphonic Winds. Rees was previously professor of music and director of athletic bands at The University of Arizona in Tucson, where his bands released CD recordings, appeared on NBC-TV's Today Show and Fox Sports, and were named top in the country by the prestigious CBDNA. Rees’ contemporary arrangements and inventive drill design have gained national presence and he is referenced extensively in the book "Marching Bands and Drumlines: Secrets of Success from the Best of the Best.” An alumnus of the University of Miami Frost School of Music (B.M. ’84, jazz performance and music education), Jay Rees is an accomplished jazz bassist with international touring credits and still actively performs. He has a large catalog of published original music for jazz, wind ensemble, concert bands, and athletic bands, commissioned and performed by major universities and high schools nationwide. He also travels as a clinician, guest speaker, adjudicator, and conductor for band programs across the country. Rees is listed in Who's Who In America for the 21st Century as well as Who's Who Among America's Teachers. He is a member of ASCAP, The Recording Academy, and CBDNA.
Classical Guitar Program Director; Lecturer, Instrumental Performance
Cuban born guitarist, Rafael Padrón, is director of the Guitar Program at the University of Miami Frost School of Music where he is also a lecturer in the Department of Instrumental Performance. Padrón has won top prizes in many national and international competitions and has been featured in many international guitar festivals throughout the world. He has also performed both solo and with orchestras in various cities in Cuba, Chile, Venezuela, Costa Rica, Japan, Spain and in the United States of America. He is the artistic director of the Florida Guitar Foundation. Padrón began studying the guitar at the age of eleven. In 1986, he was awarded a scholarship to study at the Advanced Institute of Art in Havana where he received the “High Achieving Student” award. He then graduated from the Peabody Conservatory at Johns Hopkins University in Baltimore, MD, where he completed his Graduate Performance diploma on a full scholarship, under the tutelage of world-renowned guitarist Manuel Barrueco. Padrón attained his Master’s Degree diploma at the University of Miami in December 2005. Rafael Padrón has been part of the faculty in music schools and universities such as the University of Costa Rica and National University of Heredia (Costa Rica), and the Calcaño Foundation (Venezuela), Gulf Coast University (Fort Myers, Florida) and Florida International University (Miami, Florida). In addition to his teaching at the Frost School of Music, he is on faculty at Miami Conservatory of Music.
Associate Professor and Program Director, Percussion
Svet Stoyanov (percussion) is associate professor and program director of percussion at the University of Miami Frost School of Music. Praised by the New York Times for his "understated but unmistakable virtuosity" and a "winning combination of gentleness and fluidity," Bulgarian-born Svet Stoyanov is a winner of the 2003 Concert Artists Guild International Competition. He made his New York City debut at Lincoln Center's Avery Fisher Hall as a co-soloist, premiering the Phillip Glass "Concerto Fantasy" for Two Timpanists and Orchestra. Stoyanov has performed as a soloist with the Chicago, Seattle, American Symphony Orchestras and The New York Pops, to name a few, and at prominent festivals worldwide. An active and passionate chamber musician, Svet Stoyanov works with violinist Moni Simeonov (The SemiDuo project), a 2Piano/2Percussion ensemble (Hammer/Klavier), and a contemporary music collaborative with flutist Claire Chaise. Stoyanov's CD "Percussive Counterpoint" was released in 2009 to a great acclaim and features a transcription of Steve Reich's "Electric Counterpoint" for marimba and vibes, and a video performance of Thierry de Mey's "Musique de Tables" — a theatrical "ballet" for 3 sets of hands. In addition to his diverse performance career, Svet Stoyanov is actively involved with educational outreach and presents numerous clinics and workshops.
Visiting Lecturer, Percussion
In addition to his position as Percussionist with the Houston Symphony, Matthew Strauss is currently a visiting lecturer in timpani and percussion at the University of Miami's Frost School of Music. Prior to his posts in Houston and as former timpanist with the American Symphony Orchestra at the Bard Music Festival, he performed as a member of the percussion section in the Chicago Symphony Orchestra throughout the 2002-03 and 2003-04 seasons. He has performed regularly with the Philadelphia Orchestra, New York Philharmonic, New Jersey Symphony Orchestra, American Symphony Orchestra, and Harrisburg Symphony.
Charles Castleman is the newly appointed professor of violin at the Frost School of Music, University of Miami, Coral Gables, Florida. He will teach as a visiting professor during the 2014-2015 academic year, then exclusively and full time at Frost beginning Fall 2015. He was professor of violin at the Eastman School of Music for four decades and department chair for eight years. He is perhaps the world’s most active performer and pedagogue on the violin today. He is also the founder and director of the prestigious Castleman Quartet Program, an intensive and extensive summer workshop in solo and chamber performance, now in its 46th year. A medalist at both the International “Tchaikovsky” and “Brussels” competitions, he has appeared as a featured soloist with the orchestras of Philadelphia, Boston, Brisbane, Chicago, Hong Kong, Moscow, Mexico City, New York, San Francisco, Seoul and Shanghai, to name a few. A beloved artist-teacher with thousands of former students around the world, he has conducted master classes in all major cities of Europe, the USA, Australia, Canada, China and more. As one of 16 Ford Foundation Concert Artists, he commissioned David Amram’s Violin Concerto and premiered it with Leonard Slatkin and the St. Louis Symphony. His discography includes some of the most difficult works ever written for violin such as six Solo Sonatas by Ysaÿe, eight Csardases for Violin and Orchestra by Jenő Hubay and ten virtuoso cameos by Pablo de Sarasate, plus chamber music with acclaimed ensembles including the Raphael Trio. Charles Castleman earned degrees from Harvard University, Curtis Institute of Music, and the University of Pennsylvania. His teachers were Emanuel Ondricek and Ivan Galamian, his most influential coaches David Oistrakh, Henryk Szeryng, and Josef Gingold. He plays the “Marquis de Champeaux” Stradivarius and “Sammons” Goffriller from 1708, and chooses from over 80 bows.
Lecturer, Violin, Instrumental Performance
Glenn Basham (violin) is on the faculty of the Department of Instrumental Performance at the University of Miami Frost School of Music where he served as a full time professor of music from 1992 to 2014. He maintains a full performance schedule as concertmaster of the Naples Philharmonic Orchestra and performs internationally as a violin soloist. He is also the first violinist in the Bergonzi String Quartet, the quartet-in-residence at the Frost School of Music. Glenn Basham has a B.M. degree from the North Carolina School of the Arts and an M.M. degree from Indiana University. Previously, he played with the Detroit Symphony under Antal Dorati and was a member of the Chester String Quartet. He has served as concertmaster at music festivals nationwide, including the Grand Teton Music Festival, the Colorado Music Festival, the Hot Springs Music Festival, and the Pine Mountain Music Festival. He has appeared as a soloist with the Ft. Wayne Philharmonic, the Lansing Symphony, the Plymouth Symphony, the Oak Park Symphony, the North Carolina School of the Arts Festival Orchestra, the Blue Lake Festival Orchestra, the Manchester Symphony, the Marion Philharmonic, the Palm Beach Symphony, the Miami City Ballet, the Pine Mountain Music Festival Symphony Orchestra and the Naples Philharmonic Orchestra. As a jazz musician, Glenn has performed with Ira Sullivan, Simon Salz, and John Blake, and is featured on recordings with the Miami Saxophone Quartet and Skitch Henderson.
Lecturer, Violin; Artistic Coordinator & Resident Conductor, Mancini Institute Orchestra
Scott Flavin (violin and conductor) is a lecturer in the Frost School of Music’s Department of Instrumental Performance and also serves as artistic coordinator and resident conductor for the Henry Mancini Institute Orchestra. In addition, Flavin is a member of the Bergonzi String Quartet, and a director of the Frost Chamber Orchestra. He is concertmaster of the Florida Grand Opera and Miami Bach Society, and founder and music director of the Miami Mozarteum. He regularly performs across the globe, and is a member of the newly-formed chamber ensemble, Pulse. As a composer and arranger, his works have been heard on American Public Media’s radio program “Performance Today” and have been recorded by the Bergonzi Quartet. His recordings include chamber music on the Naxos, M&W, and Centaur labels, and commercial recordings on Sony, EMI, and Warner Brothers, including appearances on over a dozen Grammy Award-winning albums. He has recorded two solo CD’s, “Great Violin Solos of the Opera and Ballet” and “the Complete Brahms Violin Sonatas”. Flavin performs on a rare Italian violin made in 1780 by Tomaso Eberle.
Associate Professor, Bassoon
Gabriel Beavers is the newly appointed associate professor of bassoon in the Department of Instrumental Performance at the University of Miami Frost School of Music. Prior to joining the faculty at Frost, he served on the faculty of Louisiana State University School of Music for six years. Formerly a fellow with the New World Symphony, he has also served as principal bassoon with the Virginia Symphony, acting principal bassoon with the Malaysian Philharmonic Orchestra and the Jacksonville Symphony and as acting second bassoon with the Milwaukee Symphony for one season. Gabriel Beavers has also previously held the position of visiting assistant professor at the University of Missouri-Columbia School of Music. In addition to his orchestral activities, he has an active schedule of solo and chamber performances. He has appeared as a concerto soloist with the Virginia Symphony, Baton Rouge Symphony and Louisiana Sinfonietta and has given recitals throughout the United States and at international festivals in Brazil. His solo CD Gordon Jacob: Music for Bassoon has been released to critical acclaim on the Mark Masters Label. His recording of the Dinos Constantinides Bassoon Concerto is also available on I-tunes. He attended both Boston University and Southern Methodist University where he studied with Matthew Ruggiero and Wilfred Roberts.
Associate Professor & Program Director, Woodwinds
Margaret Donaghue Flavin (clarinet) is associate professor of instrumental performance and program director of Woodwinds at the University of Miami Frost School of Music. She has performed in some of the worlds’ major concert halls, including Carnegie Hall, the Concertgebouw, the Zurich Tonhalle, La Scala, and for the Maggio Musicale in Florence. She has performed at international conferences in Oslo, Norway, Manchester, England, Chicago, and New Orleans, among others. Chamber music recitals include Honolulu, Grand Cayman, London and Paris, as well other venues across Europe and Japan. Dr. Donaghue has appeared as soloist with the Shanghai Broadcast Symphony and the Shen Zhen Symphony, Shen Zhen, China, as well as the Russe State Philharmonic, Russe, Bulgaria. Dr. Donaghue gives master classes and recitals across the United States and performs with her trio, Miami Chamber Ensemble and newly formed ensemble, MiamiClarinet. She performed the sextet L’Heure du Berger, in London and Paris with composer Jean Françaix at the piano. Dr. Donaghue has recently served a three-year term as a member of the Fulbright National Screening Committee, and appears frequently as clinician and adjudicator. She can be heard often on public radio across the country. She received the Doctor or Musical Arts degree from the University of Illinois, the Master of Music degree from the University of Michigan, and holds a Bachelor of Music degree from the University of New Hampshire. Prior to coming to Miami Dr. Donaghue served on the faculties of Central Michigan University and the University of Connecticut. She can be heard on Centaur, Albany, and Altarus labels.
Associate Professor, Flute
Trudy Kane, associate professor of Flute, joined the faculty of the University of Miami Frost School of Music in 2008 after 32 seasons as principal flutist of the Metropolitan Opera. She received both a BM and MM from the Juilliard School of Music. Upon graduation she freelanced and spent two years as a regular extra with the New York Philharmonic. Ms. Kane is active in the commercial recording field and can be heard on the soundtracks of many film scores (trudykane.com). She can be heard and seen on many Met videos including Il Trittico, Manon Lescaut, Peter Grimes and three different La Bohemes. Trudy Kane has given master classes at noted universities including Manhattan and Mannes Schools of Music, Penn State, and University of North Texas. Her CD, In the French Style, includes works by Fauré, Frank, and Gieseking. A number of her transcriptions for Flute Quartet have been published, plus her transcription of the Fauré Sonata and cadenzas for Mozart’s Concerto in D Major. She has been privileged to work with many great conductors, including Carlos Kleiber, Karl Bőhm, Erich Leinsdorf, James Levine, Pierre Boulez, and Valery Gergiev and great singers such as Leontyne Price, Placido Domingo, Luciano Pavarotti, Renee Fleming, and Joan Sutherland.
Dale Underwood (saxophone) is a lecturer in the Department of Instrumental Performance at the University of Miami Frost School of Music. Acclaimed by the Washington Post as "the Heifetz of the alto saxophone," Dale Underwood is internationally recognized as one of the today's foremost classical saxophonists. Mr. Underwood has toured extensively throughout the world as a featured soloist, performing in every state in the continental United States and Alaska, as well as in England, Germany, Belgium, Holland, Sweden, Italy, Cuba, Brazil, Mexico and Canada. A frequent guest soloist with leading orchestras, Dale Underwood has performed with the Boston Pops Orchestra, the National Symphony Orchestra, Australian Wind Orchestra and the National Conservatory Orchestra in Sao Paolo, Brazil, among others. In 1993, Mr. Underwood made his Carnegie Hall debut in a program featuring Claude T. Smith's Fantasy (written especially for Mr. Underwood), and A Gershwin Fantasy.
Robert Weiner (oboe) is a lecturer in the Department of Instrumental Performance at the University of Miami Frost School of Music, and is principal oboist with the Florida Grand Opera. He has also served as principal oboist with the Miami Symphony Orchestra, Mexico City Philharmonic, Miami City Ballet Orchestra, Oklahoma Symphony Orchestra, and others, and has been guest principal oboist with the St. Louis Symphony Orchestra and the Florida Philharmonic. Robert Weiner was also director and oboist of the Oklahoma City Chamber Players and has performed with New York City area orchestras, including the American Symphony Orchestra, New York City Ballet and Long Island Philharmonic. Weiner has recorded on major labels and is active in the recording studios of Miami. He previously taught oboe at Conjunto Cultural Ollin Yoliztli in Mexico, Oklahoma City University, University of Oklahoma, and Cornell University. Acknowledged for his work on gouging machines and reed-making, he is in demand by professionals for advice and work in those areas. He has a B.M. degree from Eastman School of Music, and a M.M. degree from State University of New York at Stony Brook. He studied oboe with Robert Sprenkle, Ronald Roseman, Harold Gomberg, John Mack, and Joseph Robinson.
Assistant Professor, Instrumental Performance (Double Bass) & Music Education
Brian Powell is assistant professor of Double Bass and String Music Pedagogy at the University of Miami Frost School of Music. He has a Bachelor of Music degree in Performance and a Masters degree in Teaching both from Indiana University, and he completed his doctoral studies at the College-Conservatory of Music at the University of Cincinnati. He is a former member of The New World Symphony, under the direction of Michael Tilson Thomas. Powell has also performed with the Louisville Orchestra, the Buffalo Philharmonic, the Florida Philharmonic, and the Chautauqua Symphony Orchestra. Dr. Powell has received recognition in several solo competitions, including winning the Aspen Music Festival Double Bass Solo Competition. As an educator, he is the former director of orchestras at Eastern High School in Louisville, KY, and was on the string faculty at Bellarmine University as their double bass instructor. He taught hundreds of string students every year from elementary to collegiate levels. His high school orchestra was selected to perform at state conventions on multiple occasions and has performed twice at the United Nations in New York City. He has received recognition as a distinguished music teacher and advocate of string music education. Dr. Powell has presided as President of the Kentucky chapter of the American String Teachers Association, and is currently President of the Florida chapter. He has also served in the mentor program of the National Association for Music Education (NAfME). Dr. Powell remains an active performer and clinician throughout the United States.
Kay Kemper, harp, is a lecturer at the University of Miami Frost School of Music. A classically trained harpist and musician, Kay Kemper has had over 40 years professional playing and teaching experience. A graduate of the Cleveland Institute of Music, her teachers include Joan Harrison Ceo, Lucile Lawrence and Alice Chalifoux. Kay has appeared with the Boston Symphony Orchestra and Boston Pops, the Milwaukee Symphony, the Atlanta Symphony, and Orquesta Filarmonica de Caracas in Venezuela. She has also participated in the summer music festivals at the Interlochen National Music Camp, Tanglewood Music Festival, Eastern Music Festival, and the Palm Beach Chamber Music Festival. A versatile performer, Kay enjoys giving lecture recitals, playing chamber music, or providing ambience with background music. She has performed on 3 cruise ships and seen many different ports around the world. As an active freelance musician in South Florida since 1990, Kay performs regularly with the Palm Beach Opera Orchestra and Palm Beach Symphony, the Palm Beach Pops, Florida Grand Opera Orchestra, and the Southwest Florida Symphony in Ft. Myers, as well as various private functions in the area. She maintains a private teaching studio and has recently completed a 4 year term as President of the South Florida Chapter of the American Harp Society.