Musicology

  1. Deborah Schwartz-Kates

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    Associate Professor and Chair, Musicology

    Deborah Schwartz-Kates is associate professor and chair of the Department of Musicology at the University of Miami Frost School of Music. Her research focuses on contemporary Latin American music, ethnomusicology, national identity, and film music. Professor Schwartz-Kates has recently been awarded fellowships from the National Endowment for the Humanities and the Paul Sacher Foundation in Basel, Switzerland. Professor Schwartz-Kates is under contract for two books—Revealing Screens: The Film Music of Alberto Ginastera (Oxford University Press) and Alberto Ginastera: A Guide to Research (Routledge Press). She authored the article on Alberto Ginastera for the New Grove Dictionary of Music and Musicians and contributed the chapter on Argentina for a textbook on Latin American music published by W. W. Norton. Her work has appeared in the Musical Quarterly, Die Musik in Geschichte und Gegenwart, New Grove Dictionary of Opera, Yearbook for Traditional Music, Latin American Music Review and ECHO: A Music-Centered Journal.

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  2. Willa J. Collins

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    Assistant Professor, Musicology

    Willa Collins is an assistant professor of Musicology at the University of Miami Frost School of Music. She holds a BM degree from Prairie View A&M University, a MM degree from Rice University, and a PhD from Cornell University. Her primary research area is nineteenth-century French ballet and her doctoral dissertation, Adolphe Adam’s Ballet Le Corsaire at the Paris Opéra, 1856-1868: A Source Study, examines the composer’s last ballet during its run at Paris’ foremost theater through surviving archival documents. She has presented her work at both national and international conferences. She is the recipient of numerous awards and grants, including the American Musicological Society’s M. Elizabeth C. Bartlet Fund for Research in France. Outside of nineteenth-century France, she works on popular music, particularly the history of rhythm and blues, and the genre of funk, and their influence on hip-hop.

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  3. Melissa J. de Graaf

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    Assistant Professor, Musicology

    Melissa de Graaf is an assistant professor of Musicology at the Frost School of Music at the University of Miami. She holds a B.A. degree in Music and English from the University of California, Davis, an M.A. degree in Music and Women’s Studies from Brandeis University, and a Ph.D. degree from Brandeis University. She is the recipient of a number of awards and grants, including the American Association of University Women American Fellowship. She is currently writing a book about music in the New Deal and the New York Composers’ Forum concerts, 1935–1940, which will be published by Oxford University Press. Melissa de Graaf’s essays on Aaron Copland and Ruth Crawford were recently published in collections edited by Judith Tick, Carol Oja, Ellie Hisama, and Ray Allen.

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  4. Karen Henson

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    Associate Professor, Musicology

    Karen Henson is associate professor of Musicology at the Frost School of Music, University of Miami. Her research focuses on nineteenth-century opera, singers and opera performance, and opera and technology. Professor Henson trained at the University of Oxford and in Paris, and her work has been supported by fellowships and awards from The British Academy, the Stanford Humanities Center, and the Radcliffe Institute for Advanced Study, Harvard University. Her writing has appeared in the Cambridge Opera Journal, 19th-Century Music, the Journal of the American Musicological Society, and in the edited volumes L'Opéra en France et en Italie and Le Spectaculaire dans les arts de la scène. She has also contributed articles to the The New Grove Dictionary of Music and Musicians and The Cambridge Verdi Encyclopedia. Henson recently completed her first book, Opera Acts: Singers and Performance in the Late Nineteenth Century, which will be published by Cambridge University Press in 2014. She is now finishing an edited volume on sopranos and technology, which will also be appearing with Cambridge, and working on a new book, on opera and early sound recording. She has been a regular guest speaker for the Metropolitan Opera, New York City Opera, and the BBC.

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  5. Aleysia K. Whitmore

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    Visiting Assistant Professor, Musicology

    Aleysia K. Whitmore is visiting assistant professor of ethnomusicology at the University of Miami Frost School of Music. She holds a BM from the University of Toronto and AM and PhD degrees in ethnomusicology from Brown University. Her dissertation, entitled Performing Pleasure: Africa and its Diaspora on the World Music Stage, was an ethnographic study of two world music bands that creatively combine West African and Cuban musics, and the industry and audiences that surround them. A multi-sited ethnographic study of the contemporary world music industry across Europe, West Africa, the Caribbean, and North America, it provides a window into the transnational lives of musicians, industry personnel, and audiences, and the specific post-colonial era of globalization in which they are situated. She is currently researching cultural policy and the world music industry in France.

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  6. Nancy C. Zavac

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    Music Librarian, Marta and Austin Weeks Music Library

    Nancy C. Zavac is the music librarian at the Marta and Austin Weeks Music Library, University of Miami Libraries. She teaches Music Bibliography and regularly serves on theses committees for graduate students. She is an active member of the Music Library Association, Southeast Chapter of the Music Library Association, and the Music OCLC Users Group. As a member of the MLA Education Committee she has planned several “Continuing Education Forums” for national meetings. Nancy Zavac has a Master’s of Music degree in Musicology from the University of Miami (May 1979) and a Master’s of Science degree in Library Science from Florida State University (December 1980). From 1979 to 1982 she worked as Music Cataloger at the U. of Miami Music Library and as Music Librarian from June 1982 to the present. As Music Librarian, Ms. Zavac is responsible for selecting music materials and electronic resources, providing reference assistance and bibliographic instruction, overseeing cataloging, and supervising staff and performing administrative duties.

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Musicology