Dorothy Hindman is an assistant professor of composition in the Department of Theory and Composition at the University of Miami Frost School of Music. Hindman’s work is performed extensively in the U.S., and throughout Eastern and Western Europe. Critics have called her music “intense, gripping, and frenetic,” “sonorous and affirmative,” and “music of terrific romantic gesture.” Awards and recognition include the 2005 Almquist Choral Composition Award, a 2004 Nancy Van de Vate International Composition Prize for Opera, a 2004 Winner of the International Society of Bassists Solo Composition Competition, an Alabama State Council on the Arts Individual Artist Fellowship, and the NACUSA Young Composers Competition. Commissions for 2010 include Prothalamia for the Empire City Men’s Chorus (NYC), and The Road to Damascus for the Caraval Quartet (NYC). Other recent commissions include Sursum Corda for the a cappella choir of the same name, The Wall Calls to Me to accompany a visual installation by artist Sally Johnson, Nine Churches for the Corona Guitar Kvartet and Lithuanian Sinfonia, Tapping the Furnace for Evelyn Glennie, Stuart Gerber and Scott Deal, and The Pillow Book for the Goliard Ensemble (NYC). Her residencies include a Seaside Escape to Create Residency in 2009; visiting artist at the American Academy in Rome, Italy in Fall 2005; resident composer at the Visby International Centre for Composers, Sweden in 2005; and composer-in-residence for the Goliard Ensemble in 2009. A native of Miami and a graduate of the Frost School of Music, she is also a writer for the Miami Herald and South Florida Classical Review.